I think it should be a particular writer’s preference. Although
– as the once ‘okay’ Shia LeBeouf has shown us – once you’re made visible, you
can’t turn back on it (even if you do have some lame-performance-art-excuse to
counter-act your plagiarism cases – but that’s another story).
In terms of preference, I personally do not feel I have
the charisma to become the next John Green, though I do know students who could
pull off a similar feat. If I were provided with a choice then I’d like to be
not quite visible but not quite invisible either.
I’d like to be the enigmatic in-between – that
distortion you see when rain patters against a reflection.
But that is not
what current agents and publishers are looking for. If you follow even one of
the smaller agents on Twitter then you’ll know that they’re all about their
prospective authors embracing digital new media. This is so the reader can put
a face to the work, should they want to.
Generally, I like the idea behind this. If someone wants
to find you (outside of that outpouring of your soul that you've already offered
up) then I think they should be able to. But again, that’s all down to a writer’s
preference. Even a certain social-media friendly author once said,
Writing is something you do alone. It’s a profession for introverts who want to tell you a story but don’t want to make eye contact while doing it.
-- John Green
I agree that it should be the writer's choice, and I agree with your viewpoint as well! I think it's a case of getting the balance between being too well-know and not well known enough.
ReplyDelete